
my concentration's about faces and what they can do. the face is one of the most heavily relied upon things in identity, and this is kind of an experiment on how the face affects the direction and feel of a piece.
this paintings got some really strong bold elements to it in the stroke consistency of the white and the flat yellow, and then there's this kind of weak, scrawny chicken face. its definetly flat though, but i dont wanna throw down a shadow cuz thatd make it like a portrait of the chicken, as if it showed up to get its picture taken and is posing. instead i think i'm gonna have some oblong and awkward shapes coming out of the tubes in the back of its head. i'm not sure whether i want these shapes to flow like theyre expelled with force, or drift around and have a couple floating over and overlapping the face. these if theyre floating i'm gonna restrict them to near the top right quarter of the painting, if theyre being forced out the shapes will bank sharply downwards and seperate.
because my concentration is so invested in identity, i think its important that i use different styles in every piece. so the next thing i work on is gonna be a charcoal drawing with 3 or 4 shades and there will be lot of movement